Tuesday, February 28, 2012

Getting Lost


One of the things I most love about writing--really, it's the one thing that makes me keep sitting down and banging out words--is the way that writing can take you out of the wider world, and bring you somewhere else entirely. When the writing is really going well, when you're caught up in the world of your imagination, the Real World sort of drops away. It's like a veil get's put up around you, and everything outside of your own mind fades, becomes indistinct. During those moments when you're fully immersed in what you're writing, it's like you're living in two worlds at once.

I spent a lot of time there yesterday, in that in-between space. I took a break from the fantasy novel to work on a horror novelette I'd started years ago--it's actually one of the projects I'd begun around the same time I wrote The ElectroLive Murders--and I got so wrapped up in it that I didn't break free for six hours. And then, later that night, I sat back down and got sucked in again.

I'm hoping to have the horror novelette--which I'm calling "Cool Blue"--finished and up on Kindle in the next few weeks. But because I had such a good time there in the "otherworld" yesterday, I thought I'd post a piece of what I brought back:

Jeff walked to the curtain, pushed the beads aside with the back of his hand. It was darker behind the beads, and it took his eyes a moment to adjust. Little by little, details came to him.

The room was long and narrow, like a hallway. Aquariums lined the walls, in three tiers on either side. Nearly every aquarium was lit up, and the dim glow coming from them provided the room’s only illumination. It was a dreamlike light, shimmering and blue, filtered through water. The air in the room felt moist, cool, and heavy with the sound of liquid—dripping, splashing, rushing—all deadened by the hum of a hundred pumps.

A mop and bucket sat on the floor, the head of the mop in a dirty puddle, the handle prone, pointing toward Jeff. It looked like someone had dropped it and left the room.

“Hello?” Jeff called out again. He stepped in, letting the beads fall into place behind him.

Something flashed at his head, and he spun toward it and threw his arms up to shield his face. It was a fish in a top-level tank, darting at the glass. “Shit,” Jeff said. “You’re a bold one, aren’t you?” The fish, thick-lipped with a fat lump above its eyes, backed off and then charged again.

He walked past its tank, looked in another tank teeming with a school of silvery fry. They massed together, the shape of the school shifting and changing, individual fish occasionally dipping onto their sides to reflect the light. It looked like a single living thing, broken into a swarm.

Farther down Jeff came to one of the darkened tanks. He put his face up near the glass, peered inside. Hidden amongst a pile of rocks, something glimmered. Jeff rapped his knuckles against the tank’s front. The glimmer turned to a dim red glow. Beneath the glow were dozens of dagger-like teeth.

“This place is a trip,” Jeff said to himself, and proceeded down the row.

When he got to the bucket and the fallen mop, he stopped. Why would somebody just drop the mop and leave it? Wouldn’t they worry someone might slip on the puddle and sue? There hadn’t been anyone to guard the register, up near the door, either. Where had everybody gone?

“Hello” Jeff said aloud. “Is anybody here?”

He wasn’t surprised when nobody responded. All the same, a funny feeling had begun to creep along the back of his neck, and to stretch on spider legs out toward his ears.

Jeff looked around the dim room again, back toward the way he’d come in. The beaded curtain was still swaying lazily, and the sunlight glimmered beyond it. On the other side of the room were two doors, one at the end of either row of tanks. The door on the right wall stood ajar, a black ribbon of darkness all that could be seen of the room within. The door on the left was closed.

Jeff turned to the beaded curtain, watched the strands sway. Then he turned and walked toward the door on the right, put his hand on the cold knob, and pulled it open.

It was a closet-sized bathroom, with a toilet, a sink, and a single naked bulb hanging from the ceiling. Jeff’s hand crawled along the wall, searching for the switch. He found it, flipped it, and flooded the little room with glaring light.

The floor and the walls were covered in white tile that magnified the bulb’s harshness. The grout between the tiles had gone dingy gray. An old mirror stood above the sink, black eating away its edges. And in the sink, and the toilet too, was a greasy red mess that stank of brine and blood.

Friday, February 24, 2012

Time to get serious.

I've been into DIY since I was a teenager going to punk shows. I've been into writing since I realized I could make myself heard better with the written word than with the spoken. I've been fascinated with the idea of self-publishing as a DIY approach to getting my work out there since reading this article on NOVLR about Amanda Hocking, back in March of 2011. The same week that I read that article, I put my story "The ElectroLive Murders" up on Kindle, and started trying to spread the word.

Apparently I didn't do a very good job. During the first few months that ElectroLive was up, it sold a little over a dozen copies, almost all of which were bought by friends and family. During the three-quarters of a year since then, only one copy has sold. I've got several theories about why ElectroLive isn't selling, but probably the biggest reason I've come up with is this: I didn't didn't put enough effort into promoting it.

Truth is, I've never been very into self-promotion. For the most part, I'm a pretty introspective guy, and I don't like blathering on about myself and my work. That's part of what lead me to writing in the first place: if the writing speaks, I don't have to. But I'm coming to the conclusion that not many people will buy a book if they don't even know it exists. Consequently, I'm becoming more committed to the idea that I should put more work into promoting myself.

And that's where this blog comes in.

It's been about a year since my stillborn attempt at epublishing. It's been about a year since I first heard about Amanda Hocking and other authors getting their work out on Kindle, and finding readers for it. I just reread "The ElectroLive Murders", and I still think it's a good read. I've got several more stories in the works, including a novel that's more than 70% complete, and I'm still attracted to the DIY approach to publishing. So I'm making a commitment, here and now, to work harder at succeeding with this endeavor.

What that means for you, dear reader, is this: I'm so eager to have you give my writing a try that I'll let you have it free. If you're interested in reading "The ElectroLive Murders," send me an email (don.broma[at]yahoo[dot]com), or comment on this post, and I'll send you a free PDF. Or, if you're subscribing to the Kindle Prime service, you can borrow the book on your Kindle for free. If you like the story, please help me spread the word. If you hate the story, I want to hear about that too. Email me.

Thanks for reading.